That was perfect, I thought: you listen to people so that you can imagine them, and you hear all the terrible and wonderful things people do to themselves and to one another, but in the end the listening exposes you even more than it exposes the people you‘re trying to listen to.
When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that, we were just looking at ideas of each other, like looking at your window shade but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.
It is easy to forget how full the world is of people, full to bursting, and each of them imaginable and consistently misimagined.
I thought she would leave, but she just stood there, watching me. I waved at her and smiled, but her eyes seemed fixed on something behind me, something monstrous that had already drained the blood from her face, and I felt too afraid to turn around to see. But there was nothing behind me, of course—except maybe the dead guy. I stopped waving. My head was level with hers as we stared at each other from opposite sides of the glass. I don’t remember how it ended—if I went to bed or she did. In my memory, it doesn’t end. We just stay there, looking at each other, forever. Margo always loved mysteries. And in everything that came afterward, I could never stop thinking that maybe she loved mysteries so much that she became one.
"Paper Towns" by John Green. One month before graduating from his Central Florida high school, Quentin “Q” Jacobsen basks in the predictable boringness of his life until the beautiful and exciting Margo Roth Spiegelman, Q’s neighbor and classmate, takes him on a midnight adventure and then mysteriously disappears. (via Google Books)